By: Giselle General

Most of this year has been preoccupied by my second attempt running for city council, where I lost again.

Now that it’s over, I can re-focus again on my other endeavours that have been in the works for several years now. I made a social media post when I signed the dotted line last June, but I can embrace and fully recognize and celebrate it again – I got an author contract!

Earlier this spring I received an offer from NeWest Press, a nonprofit local publisher based here in my hometown of Edmonton. I really love the fact that it is local. I also really love that I am not the first Filipina-Canadian author they worked with. I highly recommend buying or borrowing The Cine Star Salon by Leah Ranada. I figured, if NeWest helped make her book into its final form, then I’ll be in great hands.

I’m equal parts baffled, humbled and excited that I got a contract quickly by comparison, only a year after I have completed the all the professional editing and beta reader services for the manuscript. I’ve heard so many stories of past and present struggles from writers about taking a very long time, as in years, to get a publisher. From feeling frustrated waiting for a long time, many decide to self-publish or make changes to the manuscript over and over to submit again.

It’s such a fascinating and intimidating experience reading the author contract that I searched for lawyers and contract reviewers to help me understand all it entails. There are some straightforward stipulations such as being on time with giving feedback on the manuscript, the advance payment, how many will be produced and what happens when copies are sold. And there are some long-term items should the book gain traction, such as movie rights, international distribution and translation.

Part of what makes this book writing process likely a bit unusual compared to many writers, is that I technically already got compensation. Thanks to the grants I applied for during the writing and editing process, I feel like I already earned some income from my writing efforts. And I will be the first to recognize how fortunate that is. I still remember the e-newsletter from the Edmonton Arts Council emphasizing that roughly 20% of applicants get approved. I bet that percentage is even smaller with the Canada Council for the Arts with the applicants all across the country. Both organizations gave funding for this book. I will never take that for granted.

As a result, I don’t feel pressured to sell a certain number of books to earn back my time and effort to break even or make a profit. Everything else is gravy. But of course, I’d like to have as many book sales as possible. The fact that contracts now have standard clauses for movie rights and international distribution can make anyone dream big!

The most remarkable part of this, is that it truly feels like a full-circle moment. The assigned editor for this final stage is the one who helped me get started in the first place. Wendy McGrath, my author mentor with the Writers Guild of Alberta program called the Horizon Writers Circle back in 2022. The one who said to me with fierce determination when I first talked about the idea of the memoir, “yes, in six month we will finish a first manuscript together!” The one who insisted that I start applying for grants so I can get professional editing services and pay them properly. The one who also edited a separate written work for a local anthology. The one who already have read and edited several chapters of the first draft. Most definitely, the perfect person to help take it to the finish line.

I like my rules and timelines so pretty soon, I will be fully working on the final round of editing for the manuscript before it officially goes on print. I had two additional manuscript review services I used a while back, but I didn’t incorporate their recommendations when I submitted the manuscript to a few publishers. This final review will be the perfect time to read the feedback to see if the delivery of the story can be more effective in some way.

Some major changes that need to be done are changing the names of the characters to protect people’s identity and decisions on how to deal with copyrighted content such as songs and poems. It felt right in my heart to add actual sections and quote them in the chapters when I was first writing. But in its final form, I feel more open to removing it altogether. It can be quite expensive to request for authorization and rights.

I’ve casually talked to people in the city the past few weeks about the book, as a way to deflect the conversation after I receive the standard sympathetic comments for losing at the election again. I met a person from another local bookstore I haven’t heard of, who said their shop is willing to host an event and a local reading session. My massage therapist told me that I should inform them when the book is out as they have a shelf by the reception area to sell locally made products. I’ve already been to a few book launch and author reading events and plan to attend more in the next while.

Even before all the book-related activities, I do have another launch coming up soon, the premiere of the documentary project Building Pinoy. Any lessons about promoting a creative project, dealing with reactions, will definitely be something that I’m sure I can apply for the book.

There’s an actual finish line that I can foresee. A year and a half will fly by quick.